Categories
personal writing

Why I Never Finished My Book

While studying in my first year of university, like most young writers who dreamt of fame, I began writing a novel. The name? Pawns of the Gods. It was a religious themed epic inspired by the Fallout universe. This post-apocalyptic young adult novel was to be my magnum opus. It was a story of an angel sent down from the heavens as the Earth was tormented by Judgement Day, to assist a girl corrupted by Satan himself to end the impending reckoning.

The concept sounds incredibly cringe looking with the 20/20 vision of hindsight. It is key to remember however, that young adult post-apocalyptic novels a-la Hunger Games were all the rage back then. I was also 18 years of age.

Although admittedly, I recall giving it Christian themes as my way of making it ‘edgier’ – and to put my A-Level in Religious Studies to good use.

Crucifix Illustration

I worked hard on and off on the novel for the next three years.

I’d managed over 50,000 words in the end. Not only that but I’d had some good feedback on my work from family and friends who I’d deemed worthy enough to read segments of the story.

One day however, I just stopped.

Weeks and months went by and I never touched the thing. I tried to start it up again but with no luck. All that remains now is a half-finished rough draft printed and stuffed in a box, with a few story notes either stapled to it or scattered in various notebooks.

An unflattering end for my magnum opus.

There are a few reasons why I stopped I suppose, the number one being that I fell out of love with the written word for a time. University made me loathe writing after years of adoring it. Journalistic writing is formulaic and structured in a top-down boring way. Essays weren’t much better, and SEO is horrendous for a creative writer.

Instead of feeling like an escape from my other writing, it became a chore amongst them. I’ve spoke to many graduates about this phenomenon since my realisation. French students lose the passion to learn it for a while, art students put down the brush while philosophers rest their weary minds. I set down the pen, and I didn’t properly pick it up again until I started this website.

I think burnout is inevitable, especially after three non-stop years of pumping out creative work and you’ll find that those that didn’t burn out then, will do so down the line eventually.

Secondly, life just got in the way. Your post-university 20’s are some of the craziest, messiest and most intense years of your life. I had no time to sit and write my novel. As a kid I often wondered why all the authors I read were 30+ years of age. Other than experience and years of practice – it’s because younger writers are too busy living their own lives, never mind writing someone else’s.

Then there’s the issue of length. Every wannabe writer has Googled “how many words are in a novel?” and from experience I can tell you this is 100% the wrong approach. You should never measure your creative work by obligatory lengths. This ‘novel’ should have been a novella, yet as it was beginning to draw to a close I extended it because I didn’t believe it was ‘long enough’.

I make myself sick.

Remember the Shawshank Redemption? Barely anything to it. The same applies to the Very Hungry Caterpillar. I’m not comparing my teenage works to these behemoths of literature, but you understand my point right?

The Very Hungry Caterpillar [Board Book]: Amazon.co.uk: Carle, Eric, Carle,  Eric: Books

Finally, my love for the idea just… went. I lost my spark with it. The piece was a literal telling of a mental battle of somebody very close to me at the time.

The would have been ending to the story, captured what eventually happened in real life. In the end it was too painful and real to dust it off and finish it. In a sort of poetic way, because of those events the story had already finished. There was nothing left for me to write.

I’ve moved on to other projects now, this website being one of them. Hopefully the next story I tackle, I’ll be able to show off the complete work, rather than half-finished drafts.

The moral of the story? Pawns of the Gods was a massive learning experience for myself as a writer, despite the lack of cohesive ending to the project. Maybe one day I’ll go back to it.

Whatever sort of creative you are. Just keep creating. It might be terrible, or you might not even finish it and move onto something else, but you’ll always learn and get better.

Oh and don’t be scared to show other people your terrible work – even if it’s scary.

So here is an excerpt of that very novel:

The beast stood staring at the light that shone before him, expecting to see his mortal enemy, the one that imprisoned him since the creation of this world. The Wicked was about to get his revenge. The demon was taken aback when the light began to materialise, the figure was about the same height as the girl he had struck with his hellfire only minutes before.

The light solidified revealing a scruffy brown haired boy, dressed in
a sleeveless tunic of crystal white and sandals to match. His arms were muscular but lean, and a white bow was held in both of his hands.

The angel pulled back his bow and took aim at The Wicked that stood before him. The boy’s wings burst out from behind him in a wave of blinding white light. He looked carefully down the light blue arrow, with his matching sapphire eyes and took aim at the demon in front of him.

“Time for you to die” The youthful angel screamed as he fired his shot toward the crimson demon.

*chefs kiss* What incredible dialogue.

PS. In my head the angel was literally Pit from Kid Icarus.

Nintendo's games of the decade: Kid Icarus: Uprising
Copyright Nintendo.

Categories
philosophy tv

Nick Miller: A Modern Example of Taoism

After two months stuck in Coronavirus induced lockdown, I, like many others have binge watched the series ‘New Girl’. The series was long forgotten to my pubescent memory. As a 16-year old during its run, I saw the words; ‘Adorkable’, ‘Girl’ and ‘Zooey Deschanel’ and gave it a hard and closed-minded pass. Only for it to be pushed so heavily on the home screens of Netflix and Amazon Prime eight years later.

Succumbing to the corporate media machine, I decided to do as I was told. I ended up bingeing all seven seasons in a single week. My actual review of the FOX series could be a separate blog, but to limit the word count here – it is a fantastic show that deserves your viewing. I highly recommend it (Note: there are going to be some spoilers in this article, so here is a heads up if you’re planning on watching).

However, I’m here today to write about my personal favourite character, Nick Miller. Schmidt is a very close second, he is hands-down the best part of the first season. Admittedly, by the actor Jake Johnson himself, the character did not come into his own until the second season. This was because the writers weren’t sure how to write his character yet. But I digress. Outside of the kooky wackiness of ‘New Girl’, the character of Nick is an unorthodox and frankly great example of the effect that the ancient Chinese philosophy of Taoism can have on our lives.

“Excuse me?” I can already hear you ask through your screen. How is this relevant to Nick?

Taoism is a way of thinking about life that dates to at least 2,500 years ago. Tao is the name given to the ‘way’ or the force that puts everything in life and existence into motion. Words themselves are claimed to be unable to correctly describe what ‘Tao’ is. However, a key belief in Taoism is that of ‘flow’ – that actions should not be forced. You should not strive in existence. You should live with the least amount of effort, prioritising what you want to do and investing your all into it.

When we are introduced to Nick, his friends see him as a lazy, alcoholic law-school dropout working at a dive bar claiming to be a writer. He is not taken seriously and is seen as a bit of a failure. Nick is a character I am sure many, including myself, can identify with. That is the core pull of the show ‘New Girl’ – most people can see themselves within one the shows characters. Middle-to-late twenty somethings who haven’t grown up into stereotypical adults yet, without kids or a family and are desperately trying to find their calling in life.

Despite his perceived shortcomings and lazy behaviour, Nick is just following the ‘flow’ or ‘Tao’ of his own existence. He is not forcing the things that don’t come naturally to him so he can be perceived as more well-off or successful, if he doesn’t actually want them. Many people in modern society chase jobs that they don’t actually want deep down, they just want the finances and the status that comes with it. I don’t recall ever talking to a child who yearns to grow old and become an Investment Banker. They want to drive trains, write stories or fly to the moon.

Nick actually did pass his bar examination while at law-school, yet instead of dropping out because he couldn’t – he decided being a bartender was more ‘him’ and chased that avenue instead. After sharing this advice with his friends, Winston leaves his job at the radio station and eventually becomes a cop. Jess decides to stay on as a teacher instead of taking the fundraising position, even though it pays more. Schmidt even visits the Christmas tree farm that he loved working at before getting a career in marketing – which he only has for the money, status and power.

Nick Miller at Law School. New Girl. Clavado En Un Bar ( Series 3, Episode 11)

This is averse to what most young adults are taught nowadays. I’ve worked in retail and catering and actually quite enjoyed them. However, I have always been taught they were bottom of the food-chain, despite both my parents working for decades in these environments. The definition of success and status in the western world right now is wrong. We should be praising these types of character decisions, not looking down on them with a sigh and an utterance of ‘lost potential’ at a family dinner.

If you need another example, it is Nick’s writing career. When he is teased by his loft mates for calling himself a writer and not writing anything substantial, he forces himself to stay up for 14 hours straight and churn out the last half of his first err… novel, ‘Z is for Zombie’. In his book he misspells the word ‘rhythm’ no less than 38 times and adds in a wordsearch that does not actually have any words hidden in it to ‘subvert the readers expectations’. Winston dubs it the worst thing that he is ever read but is proud of him for finishing it.

There is an argument that the metaphor here is, your first draft is never your best, but you learn from it and try again. I am not fighting that at all. I truly believe this is what the writers were going for, but it is a testament to the show and its writers that we can look further into their work. Taoism teaches that the act of ‘flow’ is a means to all things. We should not focus on the end-product of our workings, nor the potential reward, only the act of enjoying the things we do.


“He gives but not to receive

He works but for no reward

He competes but not for results

He does nothing for himself in this passing world

So nothing he does ever passes.”

(Verse 2, Tao Te Ching)


Like an athlete entering the ‘zone’, Nick taps into his creative energy during his stay in New Orleans with Reagan. He claims that the city resonated with him and he was able to tap into something special. The result? As he claims himself in his third person ‘About the Author’ page:

“He has also lived in New Orleans, [although] that was mostly a frenzied barely remembered fever-dream, during which he wrote the majority of his magnu[m] opus the Pepperwood Chronicles.”

Bourbon Street, New Orleans, Louisiana (Mark Souther, Wikimedia Commons)

The accidental pre-teen masterpiece about a detective wresting with his inner alligator was not a forced piece of fiction. It is unique and he wrote it because he wanted to. Not because his actions were forced by external influences such as his friends or societal pressure. He pretty much let the book write itself and found success. This is because his end goal was not to write the book, it was to get his story out into words.

This can be seen again when he attempts to write a sequel to ‘The Pepperwood Chronicles’ in the final season. His publisher tells him in no uncertain terms that his new material is garbage. It is because it is forced, he is writing Pepperwood to fill the criterion of a book contract, not because he wants to – he’s going against his natural flow.

The point of this article? I think Taoism is more useful now that it has ever been. We all need to be more like Nick Miller. He disregards modern society as egregious and does his own thing because it makes him happy. Sure, in his case it is beer for breakfast and refusing to pay out for repairs of the loft, but he gets where he needs to through innately being himself. If we all just did what we enjoyed, we would all live much happier lives than we do striving for something perceived as ‘greater’ by someone else. The current COVID-19 pandemic has shown us more than ever that every line of work is important, we should be celebrating the character of the people we have become instead of the number on our payslips at the end of every month.


Check out New Girl on Netflix or Amazon Prime here:

https://www.netflix.com/gb/title/70196145

https://www.amazon.co.uk/New-Girl-Season-1/dp/B00G11IHVQ

Or read the Tao Te Ching: